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020 _a9780761853671
035 _a(OCoLC)ocn671531746
040 _aYDXCP
_beng
_cYDXCP
_dKLG
_dINU
_dBDX
_dOCLCF
_dOCLCQ
_dDLC
042 _alccopycat
050 0 0 _aB2430. M
_bH241
100 1 _aHanley, Katharine Rose.
_940583
245 1 0 _aDramatic approaches to creative fidelity :
_ba study in the theater and philosophy of Gabriel Marcel (1889-1973) /
_cKatharine Rose Hanley ; introduction by Paul Ricoeur.
260 _aLanham :
_bUniversity Press of America,
_c2011.
300 _axxiv, 224 p. :
_billustrations ;
_c23 cm.
504 _aIncludes works by Gabriel Marcel in chronological order of composition.
504 _aIncludes bibliographical references and index.
505 0 0 _gMachine generated contents note:
_gpt. One
_tGabriel Marcel: Philosopher-Dramatist-Musician --
_gch. I
_tIntroduction to Gabriel Marcel's Philosophic Quest --
_tThrough Music --
_tThrough Theater --
_tThrough Philosophy --
_tProper Relations Between Theater and Philosophy --
_gpt. Two
_tDramatic Approaches to Creative Fidelity --
_gch. II
_tThe Unfathomable: A Search for Presence --
_gch. III
_tThe Lantern: and the Light of Truth --
_gch. IV
_tDot the I: An Existential Witness of the Light of Truth --
_gch. V
_tThe Rebellious Heart: and Human Creativity --
_gch. VI
_tThe Double Expertise: Fidelity and Infidelity --
_gch. VII
_tColombyre or the Torch of Peace: The Role of Person-Community in Living Creative Fidelity to Values --
_gch. VIII
_tThe Sting: Threatening the Foundations of Fidelity --
_gch. IX
_tRome Is No Longer in Rome: Challenge for Creative Incarnations of Fidelity --
_gch. X
_tConclusion: Creative Fidelity, Sketch of the Essential Features Highlighted --
_gpt. Three
_tResources for Research --
_gI.
_tBiblio-biography --
_gII.
_tParallel of Theater and Philosophy --
_gIII.
_tWorks by Gabriel Marcel in chronological order of composition --
_gA.
_tPhilosophy --
_gB.
_tPlays --
_gC.
_tDrama Criticism --
_gD.
_tMusic --
_gE.
_tCombination --
_gIV.
_tBibliographic References --
_gV.
_tPartial List of Plays Produced --
_gVI.
_tCenters of Research.
520 _aDramatic Approaches to Creative Fidelity is a unique study of the work of Gabriel Marcel, a twentieth-century philospher of international renown. This book brings a fresh perspective to the examination of Marcel's thought, highlighting facets that are sure to interest many different audiences.
520 _aDramatic Approaches to Creative Fidelity presents a clear exposition of the nature of creative fidelity, a central theme in Marcel's life and work. The distinctive contribution of this book, however, is its illustration of how theater and philosophy are complementary in Marcel's investigation and reflective clarification of life's existential questions. Each chapter of the book studies a play and a contemporary philosphic essay and examines how they relate to clarify a particular aspect of creative fidelity. Thus, this work communicates Marcel's understanding of the nature of creative fidelity. Illustrates the relationships that links theater and philosophy, and demonstrates the important role theater plays in providing a privileged way into personal philosophizing.
520 _aThe principal aim of this book is to introduce English-Speaking audiences to Gabriel Marcel's theater. The book also intends to suggest to students. teachers, scholars, and theatrical personnel the heuristic as well as the pedagogical advantages offered by an integrated approach that sees Marcel's theater and philosophy as essentilly complementary. --Book Jacket.
600 1 0 _aMarcel, Gabriel,
_d1889-1973
_xDramatic works.
_940584
600 1 0 _aMarcel, Gabriel,
_d1889-1973
_xPhilosophy.
_940585
650 0 _aPhilosophy in literature.
_94752
906 _a7
_bcbc
_ccopycat
_d2
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_f20
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942 _2lcc
_cMONOGRAPH