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_aHanley, Katharine Rose. _940583 |
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| 245 | 1 | 0 |
_aDramatic approaches to creative fidelity : _ba study in the theater and philosophy of Gabriel Marcel (1889-1973) / _cKatharine Rose Hanley ; introduction by Paul Ricoeur. |
| 260 |
_aLanham : _bUniversity Press of America, _c2011. |
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| 300 |
_axxiv, 224 p. : _billustrations ; _c23 cm. |
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| 504 | _aIncludes works by Gabriel Marcel in chronological order of composition. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_gMachine generated contents note: _gpt. One _tGabriel Marcel: Philosopher-Dramatist-Musician -- _gch. I _tIntroduction to Gabriel Marcel's Philosophic Quest -- _tThrough Music -- _tThrough Theater -- _tThrough Philosophy -- _tProper Relations Between Theater and Philosophy -- _gpt. Two _tDramatic Approaches to Creative Fidelity -- _gch. II _tThe Unfathomable: A Search for Presence -- _gch. III _tThe Lantern: and the Light of Truth -- _gch. IV _tDot the I: An Existential Witness of the Light of Truth -- _gch. V _tThe Rebellious Heart: and Human Creativity -- _gch. VI _tThe Double Expertise: Fidelity and Infidelity -- _gch. VII _tColombyre or the Torch of Peace: The Role of Person-Community in Living Creative Fidelity to Values -- _gch. VIII _tThe Sting: Threatening the Foundations of Fidelity -- _gch. IX _tRome Is No Longer in Rome: Challenge for Creative Incarnations of Fidelity -- _gch. X _tConclusion: Creative Fidelity, Sketch of the Essential Features Highlighted -- _gpt. Three _tResources for Research -- _gI. _tBiblio-biography -- _gII. _tParallel of Theater and Philosophy -- _gIII. _tWorks by Gabriel Marcel in chronological order of composition -- _gA. _tPhilosophy -- _gB. _tPlays -- _gC. _tDrama Criticism -- _gD. _tMusic -- _gE. _tCombination -- _gIV. _tBibliographic References -- _gV. _tPartial List of Plays Produced -- _gVI. _tCenters of Research. |
| 520 | _aDramatic Approaches to Creative Fidelity is a unique study of the work of Gabriel Marcel, a twentieth-century philospher of international renown. This book brings a fresh perspective to the examination of Marcel's thought, highlighting facets that are sure to interest many different audiences. | ||
| 520 | _aDramatic Approaches to Creative Fidelity presents a clear exposition of the nature of creative fidelity, a central theme in Marcel's life and work. The distinctive contribution of this book, however, is its illustration of how theater and philosophy are complementary in Marcel's investigation and reflective clarification of life's existential questions. Each chapter of the book studies a play and a contemporary philosphic essay and examines how they relate to clarify a particular aspect of creative fidelity. Thus, this work communicates Marcel's understanding of the nature of creative fidelity. Illustrates the relationships that links theater and philosophy, and demonstrates the important role theater plays in providing a privileged way into personal philosophizing. | ||
| 520 | _aThe principal aim of this book is to introduce English-Speaking audiences to Gabriel Marcel's theater. The book also intends to suggest to students. teachers, scholars, and theatrical personnel the heuristic as well as the pedagogical advantages offered by an integrated approach that sees Marcel's theater and philosophy as essentilly complementary. --Book Jacket. | ||
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_aMarcel, Gabriel, _d1889-1973 _xDramatic works. _940584 |
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_aMarcel, Gabriel, _d1889-1973 _xPhilosophy. _940585 |
| 650 | 0 |
_aPhilosophy in literature. _94752 |
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