000			01691mam a2200325 a 4500
001			2329247
003			ARRUPE
005			20151020112806.0
008			990825s1999 njua b 001 0 eng d
010			_a 99061213
020			_a069102944X
035			_a(OCoLC)ocm42242690
035			_a(NNC)2329247
040			_aCGP _cCGP _dOrLoB-B
043			_ae-uk-wl
050			_aN6797.J555 _bF67
100	1		_aFoster, Alicia. _920320
245	1	0	_aGwen John / _cAlicia Foster.
260			_aLondon _bTate Galery _cc1999.
300			_a80 p. : _bill. (chiefly col.) ; _c24 cm.
490	1		_aBritish artists
504			_aIncludes bibliographical references (p. 79) and index.
520	1		_a"From London in the 1890s to Paris during the early decades of the twentieth century, Gwen John's career spanned one of the most exciting periods in cultural history. Rather than reiterating the myth of Gwen John as a recluse, this new survey places the artist at the centre of the cities where she worked in order to appreciate her art in its context, and explore the alliances and differences the artist had with her contemporaries."--BOOK JACKET.
520	8		_a"Gwen John's representation of the female nude, her paintings of interiors and the effect of her Catholic faith on her work are all considered. The author also discusses the key relationship between Gwen John's position as a woman artist and her life-long fascination with the portrayal of the female sitter."--BOOK JACKET.
600	1	0	_aJohn, Gwen, _d1876-1939. _xcriticism and interpretation _920321
650			_aWomen in art _920322
830		0	_aBritish artists. _920323
900			_bTOC
942			_2lcc _cMONOGRAPH
999			_c123538 _d123538