Gwen John / Alicia Foster.
Material type:
TextSeries: British artistsPublication details: London Tate Galery c1999.Description: 80 p. : ill. (chiefly col.) ; 24 cmISBN: - 069102944X
- N6797.J555 F67
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Monograph ( Printed materials)
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ARRUPE LIBRARY Main Collection | Main Collection | N679.J555 F67 (Browse shelf(Opens below)) | Available | 46500005507 |
Browsing ARRUPE LIBRARY shelves,Shelving location: Main Collection,Collection: Main Collection Close shelf browser (Hides shelf browser)
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| N8050.F25 1894 The life of Christ as represented in art, | N72.S3 T55 2004 Things that talk object lessons from Art and Science | N72.T32 Art and the intellect | N679.J555 F67 Gwen John / | N5300 .B393 v.2 A concise history of art. | N5300.V33 1938 The Arts of mankind | N5310.L373 1959 Lascaux |
Includes bibliographical references (p. 79) and index.
"From London in the 1890s to Paris during the early decades of the twentieth century, Gwen John's career spanned one of the most exciting periods in cultural history. Rather than reiterating the myth of Gwen John as a recluse, this new survey places the artist at the centre of the cities where she worked in order to appreciate her art in its context, and explore the alliances and differences the artist had with her contemporaries."--BOOK JACKET.
"Gwen John's representation of the female nude, her paintings of interiors and the effect of her Catholic faith on her work are all considered. The author also discusses the key relationship between Gwen John's position as a woman artist and her life-long fascination with the portrayal of the female sitter."--BOOK JACKET.
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